The exhibition, part of the 16th edition of the festival 'Meccaniche della Meraviglia', presents some of Pellegrin's installations that dialogue with the frescoes in the rooms of the sixteenth-century building.

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The Complete Works, curated by Marco Scotini and published by SilvanaEditoriale, collects over 350 works created by Francesco Jodice in 25 years of his career. The entire artistic production is accompanied by texts by 65 critics, curators and artists who have collaborated with Jodice over the years. The volume also contains a critical text by Marco Scotini, a chronological map of the artist'ss projects, and a conversation with the artist collected by Francesco Zanot.

Date del book tour:

Triennale Milano
26 aprile 2022, ore 19.00

Fotografia Europea, Reggio Emilia, Chiostri di San Pietro | Laboratorio Aperto
1 Maggio 2022. ore 17

Museo Madre, Napoli
9 Maggio 2022, ore 18.30

Camera – Centro Italiano per la fotografia, Torino
27 Maggio 2022, ore 18.30

The Centre Pompidou presents the very first museum exhibition of Léon Ferrari's work in France. Léon Ferrari (1920-2013) is the creator of a protean, alternately mysterious and literal body of work whose formal rigour is on a par with his subversive power.

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Il museo Madre ospita la prima mostra dell’artista in un’istituzione italiana dopo la sua morte, avvenuta nel 2019, realizzata con la collaborazione di Lucy Jones Carroll, direttrice dell’Archivio Lawrence Carroll. Si tratta di un’antologica composta da dipinti, sculture e disegni di grandi e piccole dimensioni, realizzate fra gli anni Ottanta e il 2019 presso gli atelier di Carroll in Italia. Le opere sono caratterizzate dalla sua inconfondibile trama pittorica, che declina i bianchi in infinite variazioni tonali, lasciando visibile la memoria dei materiali, le tracce della loro storia.

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This exhibition presents three projects where memories and stories of the Philippines and Spain and their relevance in contemporary history are translated. In collaboration with the Andalusian Center for Contemporary Art (CAAC) and the Ateneo Art Gallery (AAG) of Manila.

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Re_g (u) ard_e plays with the term 'guarde ' (intended as keeper / guardian), the English verb 'regard' (to consider) and the French verb 'regarde' (to look), trying to unhinge the limits of the human visual area and the association between gaze and judgment. On show the latest productions by Matthew Attard, Meloe Gennai (in collaboration with Rafael Kouto and Jazil A. Santschi), Stefano Non and the participation of Sergio Giusti, who for the occasion presents some unpublished narrative texts.

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The exhibition presents the journey that Hamish Fulton made for the occasion: a journey that began in Finisterre, passing through Santiago de Compostela, Pamplona and Roncesvalles, and ending in Hendaye. In collaboration with the Centro Gallego de Arte Contemporánea CGAC (Santiago de Compostela) and the Museum of the University of Navarra (Pamplona).

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The exhibition consists of a twenty-five-minute film obtained from the artist's progress in the use of archival footage: it is a specific installation designed for the non-profit space in Florence. The video presented by Jodice is halfway between a docufiction and an experimental film using pre-existing video materials, but also between the video installation and the conceptual thesis work. The images that alternate range from those of galaxies distant from ours to those of characters from 1930s films involved in a melancholy questioning about their destiny to those of exhibitionism of various subjects of 1980s films that seem committed to witnessing their existence first of all to themselves.

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The Schirn Kunsthalle in Frankfurt dedicates a large international group show to the practices of walking art. The exhibition presents an overview of contemporary production, through photographs, videos, performances, collages, drawings, paintings and sculptures, in which the act of walking is linked to the challenges of our world. More than 100 works by 40 artists on display.

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