Enzo and Barbara have been selected as recipients of one of the artist studios at the Emeroteca dell'Arte dei Musei Civici in Mestre for the residency period November 2025 - October 2026. The selection is part of the two-year programme for the allocation of 25 artist studios promoted by the Fondazione Bevilacqua La Masa in collaboration with the Fondazione Musei Civici di Venezia.

The residency programme offers artists the opportunity to develop their research in a context of exchange and experimentation, encouraging dialogue with the local area and the cultural institutions involved. Enzo and Barbara's presence in the studios represents an important opportunity for growth and exchange, as part of a project that has been supporting and promoting contemporary artistic research for years.

Matthew Attard continues to stand out on the international scene. The project I Will Follow the Ship, presented as the Malta Pavilion at the 2024 Venice Biennale, has received the Best International Achievement Award, recognizing his commitment and dedication.

The project, led by Attard and his team, represented Malta and its communities with great perseverance and gained wide international recognition, being listed among the Top 10 pavilions by leading reviews in The Guardian, Forbes, The Art Newspaper, and Il Giornale dell’Arte, and standing as the only pavilion at the Biennale to appear in the Top 10 exhibitions worldwide of 2024.

This award celebrates not only the final result but the entire journey that made such a successful project possible.

On 26 November, Antoni Muntadas was awarded a Laurea Honoris Causa by the Universitat Politècnica de València. His work invites us to critically observe society, demonstrating how art can serve as a tool for analyzing communication systems and the interaction between the physical world and what is mediated through screens. His work reflects the intersection of art, social sciences, and technology, teaching us to understand the complexity of the world we live in.

Associazione Genesi presents De Oppressione, an exhibition dedicated to Fabio Mauri that opens the celebrations for the centenary of his birth in 2026. Hosted at Triennale Milano, the exhibition brings together a selection of works produced between the late 1960s and the 2000s, highlighting the enduring relevance of Mauri’s reflection on cultural, identity-based, and ideological forms of oppression.

A public programme including guided tours, workshops, and educational initiatives — developed in collaboration with Università Cattolica, FAI, Gariwo – The Garden of the Righteous, and the Robert F. Kennedy Human Rights Foundation Italia — will accompany the exhibition. The first event, scheduled for Wednesday 10 December, features Carolyn Christov-Bakargiev and the presentation of the digital edition of Mauri’s Catalogue Raisonné, published by Allemandi and Hatje Cantz.

The artist takes part in Natura Naturans: Human beings, Nature, Landscape, presented within Cyfest 17 – International Media Art Festival and hosted at the MOMus Experimental Centre for the Arts in Thessaloniki from 27 November 2025 to 25 January 2026.

On this occasion, the series of drawings 5 Minutes of Wind is featured, contributing to a wider project that explores the relationships between human beings, nature and the perception of landscape through the hybrid practices of contemporary media art. The exhibition is curated by Anna Frants and Elena Gubanova.

Artist Antoni Muntadas presents Homecrossing: Glass Projects, his most recent exhibition, inaugurated on 6 November 2025 as part of the Annealing Program of the Shanghai Museum of Glass. The project continues the artist’s long-standing exploration of the concept of “home,” understood both as a physical site and as a mental landscape. In an era marked by overlapping global crises, the notion of home appears increasingly fragile, constantly reshaped by cultural, political, and economic forces.

Working with glass—a material of transparency, separation, and exchange—Muntadas reflects on the boundaries between the visible and the invisible, the private and the public, translating experiences of cultural and geographic displacement into a dense visual and conceptual investigation. Homecrossing: Glass Projects invites viewers to rethink ideas of belonging and to question contemporary forms of dwelling.

The exhibition is hosted in the H18 space of the Shanghai Museum of Glass and is curated by Su Wei, with Lise Li as Art Director.

Galleria Michela Rizzo presents a new event dedicated to the encounter between fashion and contemporary art, showcasing the creations of Maria Calderara — garments, bijoux, and archive pieces — in dialogue with a selection of artworks.

Taking place on November 8 and 9 at the gallery’s new venue, Palazzo Palumbo Fossati, the exhibition stems from the desire to share Maria Calderara’s vision as a fluid space where craftsmanship and artistic research merge into a shared language.

Rooted in Venice, Maria Calderara’s brand remains closely tied to the city’s authentic spirit: since 1983, her jewelry has been crafted locally through an all-female production, while her clothing lines are made entirely in Italy. Over the years, Calderara has developed deep connections with numerous artists — from Piero Manzoni to Gianni Pettena, Antonio Scaccabarozzi, Eugenio Tibaldi, and most recently, Satoshi Hirose.

During the two-day event, visitors will have the opportunity to explore and acquire selected creations — expressions of a practice that weaves together art, craftsmanship, and personal sensibility.

The Catalogue Raisonné of Fabio Mauri, curated by Carolyn Christov-Bakargiev and produced by the Studio Fabio Mauri – Associazione per l’Arte L’Esperimento del Mondo in collaboration with the artist’s heirs, is now available online. The project, the result of over nine years of research, brings together more than 3,600 works—including paintings, installations, performances, diaries, and writings—offering the most comprehensive study ever dedicated to Mauri. The printed edition, promoted by MAMbo – Museo d’Arte Moderna di Bologna and published by Hatje Cantz and Allemandi, will be released in 2026 with the support of the Italian Council of the Italian Ministry of Culture. A key figure of the Italian avant-garde after World War II, Mauri explored the relationships between image, ideology, and memory. The digital edition of the catalogue, available at www.fabiomauri.com, ideally continues this reflection, making a corpus of remarkable contemporary relevance accessible to a global audience.

Artist Cesare Pietroiusti takes part in 1+1. Relational Art, the first major retrospective dedicated to the Relational Artmovement, held at the MAXXI Museum in Rome and curated by Nicolas Bourriaud, the French critic and theorist who first defined its principles in his 1998 essay Esthétique relationnelle. The exhibition offers a dynamic journey that transforms the museum into a space of relationships and interactions, restoring art’s role as a social and collective instrument. Through works, actions, and archival materials by international artists—including Vanessa Beecroft, Maurizio Cattelan, Dominique Gonzalez-Foerster, Carsten Höller, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija, and Cesare Pietroiusti—the project traces the evolution of a practice that redefined the relationship between artist, audience, and context.

The Museo Universidad de Navarra dedicates a major exhibition to Antoni Muntadas, one of the most significant artists of his generation, whose work has deeply examined the role of the media, the mechanisms of power, and the structures of contemporary perception. Titled Otros miedos, the exhibition revolves around the new installation Entre miedos (2022–2025), produced during the artist’s residency within the museum’s Tender Puentes program. Presented to the public for the first time, the work explores the ways in which Western societies have placed fear at the core of political and media discourse, intertwining sound, image, and space in an immersive environment. The exhibition also includes a selection of earlier works that further investigate fear as a social and cultural construct: On Translation: Fear/Miedo (2005), On Translation: Miedo/Jauf (2007), Alphaville e Outros… (2011), La construcción del miedo (2008–2025), and Fear, Panic, Terror (2011).