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Krems/Donau, 1972

Opening 15 November 2025 at 12:00 noon
15 November 2025 - 15 January 2026
Tuesday - Saturday 1:00 pm - 6:00 pm
GMR, Giudecca 800 Q, Venice
The Michela Rizzo Gallery is pleased to present Boulder, the group exhibition that will conclude the exhibition series at the former brewery site. The exhibition, which will open on Saturday 15 November 2025 at 12:00, will feature a dialogue between the work of Hamish Fulton and that of Matthew Attard, Ivan Barlafante, Michael Höpfner, Francesco Jodice, Ryts Monet, Maurizio Pellegrin, Cesare Pietroiusti, David Rickard, Antonio Rovaldi, Mariateresa Sartori, Claudio Tesser and Silvano Tessarollo.
Boulders is inspired by the work Boulder by Hamish Fulton, a British artist who has made walking an artistic language and an act of awareness. Based on direct experience of the landscape and a radical conception of the relationship between art and nature, Fulton's work becomes the starting point for a choral and intergenerational dialogue around the symbol of the boulder, an emblem of strength, permanence and memory of the landscape.
Within this horizon, the artists in the exhibition are arranged according to their varying degrees of proximity to Fulton's thinking. Michael Höpfner and Antonio Rovaldi share his experiential and meditative approach more directly: both investigate walking as a means of knowledge and immersion in the landscape, restoring its physical and inner dimensions through drawings, photographs and installations.
More lateral but deeply akin in poetic tension are Mariateresa Sartori, Matthew Attard and Ivan Barlafante, who translate their relationship with nature into languages of perception and thought. Sartori presents a large installation created using the frottage technique, dedicated to the materials of stones and sand, accompanied by a book that intertwines artistic vision and scientific observation. Attard, through drawing and the use of a pen plotter, transforms three-dimensional scans of boulders into graphic tracings that blend digital precision and manual intervention, exploring the limits of perception and image.
Around these nuclei are gathered artists who, while starting from different languages and perspectives, broaden the reflection on the link between man, nature and space. David Rickard explores the material and perceptual relationships between architecture and the environment; Ryts Monet, Maurizio Pellegrin, Cesare Pietroiusti and Francesco Jodice offer conceptual and narrative visions that open up the theme of landscape to new cultural and social geographies. In particular, Jodice presents a large-scale work from the WEST project, a journey through cities born during the gold rush and now abandoned, in which the landscape becomes an archive of utopias and failures.
Silvano Tessarollo and Claudio Tesser present works in which nature reveals itself in its fragile concreteness, between memory, time and transformation. The exhibition will centre on two wall paintings by Hamish Fulton, Glacial Boulder and Revisiting The Boulders, which will occupy a significant part of the space, giving shape and breath to the entire project.
With Boulder, the Michela Rizzo Gallery concludes an important season of its journey on the Giudecca, entrusting the image of the boulder – solid and immobile but at the same time shaped by time – with the task of preserving the memory of a shared place and time. A landing place that is also a threshold: the last step before a new direction.
Michael Höpfner (Austria, 1972) grew up in a hilly Austrian landscape, near the place where, a very long time ago, the Venus of Willendorf was found along the Danube. From here arises his fascination for long excursions – in Europe, Asia and Africa – and especially for the Tibetan plateau, visited in 2002. His walks on foot are the core of his work.
During his long wanderings, Höpfner photographs with an analogue Hasselblad in black and white, draws and takes notes: all materials that accompany him for weeks in his backpack. These become the subject of installations, large-scale drawings and visual narratives, in dialogue with the territory. As he himself says, «If I do not walk, I cannot see worlds: walking as a way to see, pay attention, reflect and explore the human being in nature and in time».
Höpfner is a senior lecturer at the Academy of Fine Arts Vienna and is conducting a pioneering exchange project between art schools in Ghana, Indonesia and China. His work is represented by Galleria Michela Rizzo (Venice) and Galerie Hubert Winter (Vienna).
Among the most recent exhibitions: Retracing the Footsteps of Others, Galerie Hubert Winter, Vienna (2025), Nature After Nature, Garrison Command, Timisoara, Romania (2025), Plateau, Sternenpassage MQ, MuseumsQuartier Vienna (2025), Walk All the Lies Away, Galleria Posibila, Bucharest (2025), Walking Mountains, Museo Nazionale della Montagna, Turin (2024), The Parliament of Marmots, 9th Biennale Gherdeina, Val Gardena (2024), Stay with Me – The Mountain as a Space of Resonance, Museo Nazionale della Montagna, Turin (2023), Unfinished Walks, Galleria Michela Rizzo, Venice (2022), WALK!, Schirn Kunsthalle, Frankfurt (2022), Vienna Biennale for Change 2021, MAK – Museum of Applied Arts, Vienna (2021), Sensing Nature, Galerie Heike Strelow (2021); Ti Bergamo, GAMeC, Bergamo (2020), Introduction to a Distant World, Galerie Hubert Winter, Vienna (2020), Durchwanderte Kreisläufe, Landesgalerie Niederösterreich, Krems (2019), Sdraiarsi, Svegliarsi, Camminare, Galleria Michela Rizzo, Venice (2019), Visions of Nature, Kunsthaus, Vienna (2017), Dear Michael, from Edgecombe to Qumalai, Galleria Michela Rizzo, Venice (2016).
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