{"id":14480,"date":"2021-06-29T15:32:45","date_gmt":"2021-06-29T13:32:45","guid":{"rendered":"https:\/\/galleriamichelarizzo.net\/ludovico-bomben\/"},"modified":"2026-06-25T12:46:16","modified_gmt":"2026-06-25T10:46:16","slug":"ludovico-bomben","status":"publish","type":"page","link":"https:\/\/galleriamichelarizzo.net\/en\/ludovico-bomben\/","title":{"rendered":"LUDOVICO BOMBEN"},"content":{"rendered":"
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Ludovico Bomben (Pordenone, 1982), after graduating from the Academy of Fine Arts in Venice and completing a four-year course in Decoration, expanded his skills in the fields of design, planning, and graphics, collaborating with several companies in the Pordenone area. His research began with luminous environmental installations aimed at deconstructing everyday spaces and places, disrupting the perceptions of those who regularly visit them. In recent years, he has shifted his focus from the environment to the object, leading him to use symbols from the sacred realm, which he reinterprets and redefines in a contemporary key, blending ancient traditions with next-generation industrial materials.<\/p>\n

He has exhibited in numerous public and private spaces: the 54th Venice Biennale; the Talent Prize; Dolomiti Contemporanee; the Bevilacqua La Masa Foundation (90th - 91st Young Artists Collective); the Tina B Festival in Prague; the Fabbri Prize, Villa Manin; CAREOF \u2013 Via Farini; the Cramum Prize; the Revoltella Museum, and the Cairo Prize at the Palazzo Reale in Milan. In 2021, he participated in the collective exhibition Non c\u2019\u00e8 + nessun Virgilio a guidarci nell\u2019inferno<\/i>, curated by Martina Cavallarin, at Open Dream in Treviso; he took part in the Cramum Prize at Villa Mirabello, Milan, curated by Sabino Maria Frass\u00e0; he participated in the Futuro Arcaico Fest, curated by Maria Teresa Salvati, at the Civic Museum of Bari; and in the Premio Musica Pordenone, curated by Patrizio De Mattio, at the Teatro Verdi in Pordenone.<\/p>\n

In 2022, he exhibited in the collective exhibition Who Killed Bambi<\/i>, curated by Gianluca d\u2019Inc\u00e0 Levis, at Dolomiti Contemporanee \u2013 Nuovo Spazio di Casso (PN). In 2023, he was the protagonist of the exhibition Equorea (di mari, ghiacci, nuvole e altre acque ancora \/ of seas, ice, clouds and other waters)<\/i>, curated by Giulia Bortoluzzi and hosted by BuildingBOX in Milan. In the same year, he exhibited in the collective exhibition American Beauty. From Robert Capa to Banksy<\/i> at the Altinate San Gaetano Cultural Center in Padua. In 2024, he held the solo exhibition Hic Sunt Leones<\/i>, curated by Angelo Bertani, at the Galleria Sagittaria in Pordenone, and won second prize at the Mellone Art Prize at the \"Leonardo da Vinci\" National Museum of Science and Technology in Milan.<\/p>\n

Between 2024 and 2025, he presented the solo exhibition AERE \u2013 Pratiche di avvicinamento (AERE \u2013 Approaches)<\/i> at GMR.2 (Galleria Michela Rizzo, Mestre).<\/p>\n

In 2025, he participated in several prominent exhibitions: the collective exhibition Stral\u00fbs. 1985\u20132025 Arte in Friuli \/ Art in Fri\u00fbl<\/i> at Palazzo Ragazzoni in Sacile, curated by Magal\u00ec Cappellaro and Alberto Vidissoni (University of Udine); the exhibition Doppio Dialogo<\/i> with Amedeo Sanzone at Palazzo Contarini del Bovolo in Venice, curated by Almerinda Di Benedetto, Enrico Lucchese, and Alessandra Santin; the collective exhibition Together \/ Insieme Exhibition 1<\/i> at the Salaborsa Library in Bologna; and the double solo exhibition Vuoto\u2013Semi\u2013Vuoto<\/i>, with Francesca Dondoglio, at Studio La Linea Verticale in Bologna.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Ludovico Bomben (Pordenone, 1982), after graduating from the Academy of Fine Arts in Venice and completing a four-year course in Decoration, expanded his skills in the fields of design, planning, and graphics, collaborating with several companies in the Pordenone area. His research began with luminous environmental installations aimed at deconstructing everyday spaces and places, disrupting […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-artista.php","meta":[],"_links":{"self":[{"href":"https:\/\/galleriamichelarizzo.net\/en\/wp-json\/wp\/v2\/pages\/14480"}],"collection":[{"href":"https:\/\/galleriamichelarizzo.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/galleriamichelarizzo.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/galleriamichelarizzo.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galleriamichelarizzo.net\/en\/wp-json\/wp\/v2\/comments?post=14480"}],"version-history":[{"count":7,"href":"https:\/\/galleriamichelarizzo.net\/en\/wp-json\/wp\/v2\/pages\/14480\/revisions"}],"predecessor-version":[{"id":19252,"href":"https:\/\/galleriamichelarizzo.net\/en\/wp-json\/wp\/v2\/pages\/14480\/revisions\/19252"}],"wp:attachment":[{"href":"https:\/\/galleriamichelarizzo.net\/en\/wp-json\/wp\/v2\/media?parent=14480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}